Kull Part 7: Kull’s Features and Hair
As the title suggests, we’ve now reached a very important stage in the sculpting of any piece. Some sculptors will create the f ace and head f irst and I have done that myself at times. Usually, though, I sculpt the f ace late in the process and sometimes at the very end. When the f eatures are added, it can sometimes lead to seeing the sculpture dif f erently and I may make some changes. I like that in that it is a step that makes me see the piece with “new” eyes and that can be benef icial to the overall look of the sculpture.
With Kull, the beginning of how I wanted to sculpt the f ace was in the source material. He is described several times as having narrow, gray eyes and is also described as having “hawk-like” f eatures. In my conversations with Paradox, it was agreed that this meant a f airly strong nose and a prominent bridge, but we agreed that he should not look too sharp-f eatured as the f ace would not be congruent with the body. His eyes are f airly narrow, but not too narrow. He is intended to have a look that is particular to him and that conveys an air of nobility and strength.
In the stories, it was noted that Kull had had a “lion-like mane of hair” and that as king he currently wears it straight-cut and shoulder length. Since this sculpture shows Kull bef ore he accedes to the throne, I gave him long hair.
So here is the complete Kullf igure with complete costume. All that remains are the weapons and the base.
If you’d like to let us know how we’re doing or if you just have any questions, please write me at service@csmoorestudio.com.
Thanks very muchf or reading and we’ll see you next week.
Clay
With Kull, the beginning o
In the stories, it was noted that Kull had had a “lion-like mane o
So here is the complete Kull
I
Thanks very much
Clay





